Investigation 7: Using momentum
to help the unsupple.
It is a common misconception that the
trapeze is only for very slight young women, as is becoming
the case in gymnastics. It is not the case that trapeze
artists fall into a particular stereotype in this way, yet
on the trapeze, tricks are performed which seem to require
immense strength or extreme suppleness.
It is certainly true that on a static
trapeze, or a pull-up bar in the gym, it does require some
degree of strength to lift your legs up over your head etc.
But there is a major difference between these stationary
bars and the flying trapeze: the swing. The fact that the
performer is swinging when he moves his body into these
positions means that he often has components of his momentum
that will help 'pull' his body into a desired position.
This is most easily explained with an example.
The Knee-Hang
The
knee-hang is considered one of the easiest tricks on the
flying trapeze and is therefore the first that most people
try. For this investigation, we will concern ourselves only
with the very first stage of this trick: getting your legs
up at the front end, pushing them between your arms, and
hooking them over the bar.
During the swing forwards, since the performer is moving
in part of a circle, he experiences a centripetal force
by the bar on his hands, pulling him towards the centre
of the circle. This force opposes the tendency for his body
and legs to move tangentially. Although this is the correct
scientific explanation for what is occuring, the performer
would probably talk about feeling a 'centrifugal force'
pulling down on his feet. Patrick Fullick, in his 'Physics'
textbook explains that the illusion of a centrifugal force
comes from viewing the system from the inside (i.e. while
moving), rather than from the outside, where any observers
would be stationary.
The
centripetal force on the man's legs (assumed again to be
half his weight - 35kg) is given by:
F = ma (to centre) = mv^2/r
Therefore the greatest force
on the man occurs when the speed is greatest.
From Investigation 1, we know that the
maximum speed occurs at the bottom of the swing, and at
this point he has speed 5.4ms-1.
F = mv^2/r = 35kg x (5.4)2
/ 4.6m (see diagram in Investigation 1)
F = 221.9N
Although this force is to the centre,
the performer will feel this force as though it is pulling
him to the ground (for reasons mentioned above). Therefore
in addition to the 350N with which gravity pulls on his
legs, he has an extra 222N. If he were to try to pull his
legs up at this point, he would have to be very strong,
since they would feel much heavier than normal!
Once he reaches the last part of his forward
swing, his speed decreases (as all the KE changes to PE),
and so the force which he feels pulling him outwards decreases.
The role of momentum
Momentum is explained in Fullick as 'unstoppability'.
Momentum is a quantity, given by the product of the mass
and the velocity, which tells us how hard it is to get an
object moving, and how difficult it is to stop.
Newton's
Second Law states that:
Impulse = change in momentum
Ft = m(v-u)
The performer's legs have momentum during
the swing (since they have both mass and speed). At the
front end of the swing, the force due to gravity, acting
over a time t, has reduced the momentum of the legs to zero
at the front end. Just before the front end, they will still
have some momentum. Since they are moving at an angle to
the ground (approx. 0.74 radians), and since momentum is
a vector quantity, the legs will have a component of momentum
upwards.
When the performer is 7/8 through his
forward swing, what is his speed?
1/4 x 1.5 gives height
below starting point = 0.375m
v = (2gh)^1/2 (from Investigation
1)
So v = (2 x 9.8 x 0.375)^1/2
v = 2.7ms-1
Momentum = m x v = 35kg x 2.7ms-1 = 94.5kgms-1
Component vertically upwards
= 94.5 x cos(0.74c) = 69.8kgms-1 upwards
At this point in the swing, the performer's
legs have 69.8kgms-1 of momentum upwards, which means that
he only has to put in enough force to oppose gravity (350N)
and a component of the centripetal force, and his legs will
naturally move upwards. The later he leaves it before the
front end, the easier it will get, since the centripetal
force will decrease as the speed decreases.
This should be compared to the force needed
at the bottom of the swing. The performer has no upward
momentum (only horizontal), so he needs to exert a force
upwards, over a time t, to bring about a change in momentum,
so his legs will move up. Unfortunately, this is not enough,
since gravity will constantly be exerting a force downwards
on him as well, trying to decrease any upward momentum,
and he needs to exert a force to oppose this. He also has
to work against the tendency of his legs to move outwards,
so he needs an extra 222N to oppose this. It is therefore
MUCH easier as he approaches the front end.
This is further evidence of the importance
of timing on the trapeze. Movements can be made much easier
by choosing the right time, and as a result, extraordinary
strength and agility if certainly not necessary, since you
can use the momentum in your swing to make up for any lack
of strength.